Workshop's Teachers
The teachers that are currently participating in the Workshop's activities

Kourosh2Kourosh Ghazvineh was born in 1982 in Sahneh of Kermanshah in Iran. At a very young age he started learning the Persian santur with Nouzar Rezai. In 1997 he studied the classical Persian Kurdish Makam for Tanbur focusing on the repertoires of Ostad Taheri, Yar Veisi, Seyid Khalil, Seyid Amrolah Shah Ebrahimi, Ali Akbar Moradi.

Stelios3Stelios Petrakis is a composer, instrumentalist, and luthier. He was initiated into the art of the Cretan Lyra at a very early age.

Καρ╬»πης2

Vangelis Karipis was born in Athens (1971). He studied byzantine music and music theory in the Greek Music School from where he graduated in 1992. At the same period, he started playing frame drums, first as self –taught and then as a student of Tricy Shankaral, Joe Santos, Jammey Haddad, Arto Tuncboyaciayan. Till today he had worked with serveral greek composers and singers (Dionysis Savvopoulos, Thanos Mikroutsikos, Nikos Kypourgos, Orfeas Peridis, Yiorgos Andreou, Socrates Malamas, Christos Tsiamoulis, Alkinoos Ioannidis, Eleftheria Arvanitaki, Yiorgos Ntalaras, Domna Samiou, Chronis Aidonidis).

Tvetanka

Tzvetanka Varimezova, was born in Bulgaria and received a B.A. degree in choral conducting and folk instrument pedagogy from the Academy of Music and Dance in Plovdiv. Since 2001, Tzvetanka Varimezova has been Professor of Bulgarian Folk Music at UCLA/ University of California-Los Angeles, she teaches Bakan singing technique and conducts the UCLA Bulgarian Women's Choir-"Superdevoiche".

ZachariasZacharias Spyridakis was born in Athens in 1971 and started Cretan lyra since 1980. In 1983 he started having lessons with the great lyra player Kostas Moundakis and in 1989 receives his degree from the Greek Conservatory of Athens.

Tokcan

Yurdal Tokcan is universally recognized as the foremost oud player in the world today. His command of the instrument on a technical level puts him in a class entirely of his own, but more importantly, his fluid and highly emotive improvisations (taksims), as well as his profoundly sensitive renderings of the complex and intricate compositions of the Turkish classical tradition reveal him to be a musician of great depth and subtlety.

Τολη

Evgenia Damavoliti –Toli studied and worked on Exercise Physiology, while her big love till today remains traditional dance and singing. She comes from Platanos a village in Kissamos (Chania, Crete) and from Preveza (Epirus). Thanks to her grandfather, Stefanis Andronikakis who was a singer in Kissamos, Evgenia came in contact with the music and dance traditions of Kissamos area since her childhood. Beside her grandfather she met old great singers of Kissamos such as Naftis, M. Kounelis and S. Karefillakis.

Fresco2

Zohar Izhak Fresco is known as a pioneer of the tof miriam, the ancient frame drum originated in the Middle East more than three thousand years ago. Born in Israel to a family with deep roots in Turkey and as a descendant of Tamburi Izhak Fresco, remarkable, well known Jewish Turkish composer who lived in 18th-19th centuries, Zohar was drawn to music at an early age and revealed a major influence of the music of his origins.

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